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By Helen Fulton

This Companion deals a chronological sweep of the canon of Arthurian literature - from its earliest beginnings to the modern manifestations of Arthur present in movie and digital media. a part of the preferred sequence, Blackwell partners to Literature and tradition, this expansive quantity permits a basic knowing of Arthurian literature and explores why it's nonetheless crucial to modern tradition.

  • Offers a complete survey from the earliest to the newest works
  • Features a powerful diversity of famous overseas participants
  • Examines modern additions to the Arthurian canon, together with movie and computing device video games
  • Underscores an knowing of Arthurian literature as primary to western literary culture

Content:
Chapter 1 the tip of Roman Britain and the arriving of the Saxons: An Archaeological Context for Arthur? (pages 13–29): Alan Lane
Chapter 2 Early Latin resources: Fragments of a Pseudo?Historical Arthur (pages 30–43): N. J. Higham
Chapter three historical past and delusion: Geoffrey of Monmouth's Historia Regum Britanniae (pages 44–57): Helen Fulton
Chapter four The Chronicle culture (pages 58–69): Lister M. Matheson
Chapter five The old Context: Wales and England 800–1200 (pages 71–83): Karen Jankulak and Jonathan M. Wooding
Chapter 6 Arthur and Merlin in Early Welsh Literature: delusion and Magic Naturalism (pages 84–101): Helen Fulton
Chapter 7 The Arthurian Legend in Scotland and Cornwall (pages 102–116): Juliette Wood
Chapter eight Arthur and the Irish (pages 117–127): Joseph Falaky Nagy
Chapter nine Migrating Narratives: Peredur, Owain, and Geraint (pages 128–141): Ceridwen Lloyd?Morgan
Chapter 10 The “Matter of england” at the Continent and the Legend of Tristan and Iseult in France, Italy, and Spain (pages 143–159): Joan Tasker Grimbert
Chapter eleven Chretien de Troyes and the discovery of Arthurian Courtly Fiction (pages 160–174): Roberta L. Krueger
Chapter 12 The attract of Otherworlds: The Arthurian Romances in Germany (pages 175–188): Will Hasty
Chapter thirteen Scandinavian models of Arthurian Romance (pages 189–201): Geraldine Barnes
Chapter 14 The Grail and French Arthurian Romance (pages 202–217): Edward Donald Kennedy
Chapter 15 The English Brut culture (pages 219–234): Julia Marvin
Chapter sixteen Arthurian Romance in English well known culture: Sir Percyvell of Gales, Sir Cleges, and Sir Launfal (pages 235–251): advert Putter
Chapter 17 English Chivalry and Sir Gawain and the fairway Knight (pages 252–264): Carolyne Larrington
Chapter 18 Sir Gawain in heart English Romance (pages 265–277): Roger Dalrymple
Chapter 19 The Medieval English Tristan (pages 278–293): Tony Davenport
Chapter 20 Malory's Morte Darthur and background (pages 295–311): Andrew Lynch
Chapter 21 Malory's Lancelot and Guenevere (pages 312–325): Elizabeth Archibald
Chapter 22 Malory and the search for the Holy Grail (pages 326–339): Raluca L. Radulescu
Chapter 23 The Arthurian Legend within the 16th to Eighteenth Centuries (pages 340–354): Alan Lupack
Chapter 24 Scholarship and pop culture within the 19th Century (pages 355–367): David Matthews
Chapter 25 Arthur in Victorian Poetry (pages 368–380): Inga Bryden
Chapter 26 King Arthur in artwork (pages 381–399): Jeanne Fox?Friedman
Chapter 27 A Postmodern topic in Camelot: Mark Twain's (Re)Vision of Malory's Morte Darthur in A Connecticut Yankee in King Arthur's court docket (pages 401–419): Robert Paul Lamb
Chapter 28 T. H. White's The as soon as and destiny King (pages 420–433): Andrew Hadfield
Chapter 29 Modernist Arthur: The Welsh Revival (pages 434–448): Geraint Evans
Chapter 30 historic Fiction and the Post?Imperial Arthur (pages 449–462): Tom Shippey
Chapter 31 Feminism and the fable culture: The Mists of Avalon (pages 463–477): Jan Shaw
Chapter 32 Remediating Arthur (pages 479–495): Professor Laurie A. Finke and Professor Martin B. Shichtman
Chapter 33 Arthur's American around desk: The Hollywood culture (pages 496–510): Susan Aronstein
Chapter 34 The paintings of Arthurian Cinema (pages 511–524): Lesley Coote
Chapter 35 electronic Divagations in a Hyperreal Camelot: Antoine Fuqua's King Arthur (pages 525–542): Nickolas Haydock

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Extra resources for A Companion to Arthurian Literature

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A folkloric Arthur, therefore, seems to precede the warrior Arthur of the Historia (Padel 1994) and may even have been localized in the southern marches in Welsh territory, in Builth and Archenfield, where the author had earlier come across them. That said, the spellings of Arthur’s name from the ninth century onwards suggest that its origin was Latin rather than Old Welsh, so the name at least does seem to have derived ultimately from Roman Britain, perhaps from some such figure as the Lucius Artorius Castus who served there in the later second century (Malone 1925).

Society, community, identity. In T. ), After Rome: The short Oxford history of the British Isles. Oxford: Oxford University Press, pp. 61–103. The End of Roman Britain and the Coming of the Saxons Hodges, R. (1989). The Anglo-Saxon achievement: Archaeology and the beginnings of English society. London: Duckworth. Lapidge, M. & Dumville, D. N. (eds) (1984). Gildas: New approaches. Woodbridge: Boydell. Myres, J. N. L. (1986). The English settlements. Oxford: Clarendon Press. Padel, O. J. (1994). The nature of Arthur.

He argues vehemently against the “late antique” paradigm and suggests that “overall the Romanised settlement pattern and associated material culture had collapsed to almost nothing by the late fourth and early fifth century” (2004: 10). In his view, “all the archaeological indicators of Romanitas reached zero or close to zero in the fifth century. This is true of settlements, structures and artefacts” (2002: 74); and he went on to reiterate his position that there was a “clear material culture gap separating the final collapse of Romanised settlements and assemblages in c.

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